Jerry Garcia Band - "Catfish John" - GarciaLive Vol. 17: NorCal '76

Jerry Garcia Band performs "Catfish John" from their November 12th, 1976 show at Freeborn Hall, University of California Davis as featured on GarciaLive Volume 17: NorCal '76! Learn more + pre-order: http://smarturl.it/NorCal76

GarciaLive Volume 17: NorCal ’76 presents highlights from three* stand-out Jerry Garcia Band performances captured over the span of a week. While a myriad of challenges from reel damage to tape loss and other assorted technical difficulties spoil any opportunity to feature the complete performances, what remains of Betty Cantor-Jackson’s original recordings offers some of the finest performances from this iteration of the Jerry Garcia Band.

1976 marked a period of transition for Garcia. Having eschewed the jazz and funk explorations of the early ‘70s in favor of a more “traditional” rock & roll vibe with Nicky Hopkins, Garcia likely found a sense of comfort by welcoming his Grateful Dead bandmates Keith & Donna Jean Godchaux into the fold towards the top of the year. While the band could still light it up with the best of them, as evidenced here by blistering versions of “Mystery Train,” “After Midnight,” and the almost obligatory closer “Mighty High,” tempos often eased to a swamp blues feel while the group pursued more sweet, introspective territory. A review of the Davis performance described the evening as “mellifluous” and continued, “never before have I seen Garcia dance, nor have I ever seen him smile so much.” Look no further than vibrant versions of “How Sweet It Is (To Be Loved By You)” “Stir It Up,” and “The Way You Do The Things You Do” for evidence of bliss. The sweetness is balanced by more pensive selections including poignant versions of “Catfish John,” bolstered by sublime harmonies from Donna Jean, and Irving Berlin's “Russian Lullaby.” Perhaps no performance better demonstrates the JGB’s power than the opening “Sugaree” which showcases Garcia’s fiery leads and impassioned vocal, Keith’s brilliant, understated accompaniment, and John Kahn & Ron Tutt’s deep pocket groove. It’s enough to put a smile on anyone’s face while giving you a few things to ponder at the same time.

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